Tales from the peregrine Moon: Sylvia Plath

In the pursuit of perfection in poetry there can be few luminaries as bright as Sylvia Plath, and it was her profound struggle with depression and grief which underpinned most achingly her gift, which, in pursuit of the sublime aim of describing the indescribable can have few equals; Plath was noted especially for her uncanny use of metaphor.

The mundane facts of her life are bleak. She was born to Otto Plath, a German professor of zoology and Aurelia Schober, a first generation American of Austrian descent near Boston, Massachusetts. Her early childhood was fundamentally idyllic and until her father died when she was 8 years old, she wrote of it thus:

And this is how it stiffens, my vision of that seaside childhood. My father died, we moved inland. Whereupon those nine first years of my life sealed themselves off like a ship in a bottle — beautiful, inaccessible, obsolete, a fine, white flying myth.

She was winning awards for her exquisite poetry by the time she was 18 years, she won a scholarship to Smith College. During her junior year, she spent the summer in New York as a guest editor for Mademoiselle, a fashion magazine. While still a student at Smith, she had a nervous breakdown, attempted suicide by swallowing sleeping pills and was given shock treatments. Despite such upheaval, she graduated in 1955 and went to Cambridge, England on a Fulbright scholarship.

One night at a party in Cambridge, February 25, 1956, she met Ted Hughes, and their romance began in a blaze of passion. She wrote, “He kissed me bang smash on the mouth, And when he kissed my neck, I bit him long and hard on the cheek and, when we came out of the room, Blood was running down his face.” The handsome gifted pair married four months later, on June 16, 1956.

The couple had two children, Frieda in 1961 and Nicholas in 1962. During their time together, the brilliant and tortured Plath mined her own anguish, writing obsessively of her depression, her jealousy, her marriage and her father, the strict, formal professor who had abandoned her by his premature death.

Daddy. Published 1965 (Excerpt)

You stand at the blackboard, daddy,
In the picture I have of you,
A cleft in your chin instead of your foot
But no less a devil for that, no not
Any less the black man who

Bit my pretty red heart in two.
I was ten when they buried you.
At twenty I tried to die
And get back, back, back to you.
I thought even the bones would do.

But they pulled me out of the sack,
And they stuck me together with glue.
And then I knew what to do.
I made a model of you,
A man in black with a Meinkampf look

And a love of the rack and the screw.
And I said I do, I do.
So daddy, I’m finally through.
The black telephone’s off at the root,
The voices just can’t worm through.

If I’ve killed one man, I’ve killed two—
The vampire who said he was you
And drank my blood for a year,
Seven years, if you want to know.
Daddy, you can lie back now.

There’s a stake in your fat black heart
And the villagers never liked you.
They are dancing and stamping on you.
They always knew it was you.
Daddy, daddy, you bastard, I’m through.

Her first book, “The Colossus” was released in 1960. “The Bell Jar” achieved critical acclaim in 1963 for its moving portrayal of a young woman’s life including her emotional breakdown, suicide attempts, psychological treatment and relationships.

During the course of her marriage, Plath’s behavior became increasingly more erratic and obsessive. Beset by worry over money, insecurity over her worth as a writer, jealousy over her husband’s friendships with other women, she wrote furiously in her torment. Their relationship suffered tremendously from her fragility and his inability to deal with her roller-coaster emotions. Suspecting her husband of an affair, she gathered all of his papers she could find and burned them in the garden. In 1962, he left her for another woman, Assia Wevill. Just one month after the publication of “The Bell Jar,” on a frigid wintry day in England, she tucked her two small children safely away in their room, set out milk and cookies for them, and put her head in their London flat’s gas oven, ending her life on February 11, 1963. She was just 30 years old. Her last-written poems appeared two years later in “Ariel.” In a twist of irony, the poems established Plath as a fiercely original poet who exceeded her husband as an icon in the world of literature.

Sylvia Plath, Poet. 27 Oct 1932 14:10 (EST +5:00) Boston, MA, USA

Here are my various delineations:

1. There is an enormous 7th house emphasis on so very many levels. Notwithstanding the stellium in precision (and actually fidelity) fixated Virgo, Moon is peregrine in Libra – thus the reigning need is for marital security – Jupiter and Neptune both are peregrine in Virgo, making for an extremely uncomfortable impetus. Trying to analyse the divine and count the manner of one’s faith in life, neither can be remotely easy and Venus seems to offer some genuine hope, but even beautifully aspected as it is and accidentally dignified it will still struggle in Virgo. Any contact of Venus with Saturn is an act of renunciation; the grand earth trine creates a practical self-sufficiency – thus someone who can attend to their studies even in the very depth of a depression – but the Saturn contact creates an ease with sacrificing love out of a sense of duty. There is a curious mix of easy difficulty here.
2. I am not entirely convinced by the Ascendant. A degree or more into Pisces would suit me better making Mercury the ruler of the 7th. At 29Le26 however there is certainly a case for looking to both Sun and Mercury as indicative of the marriage partner. Certainly Mercury in Scorpio in the 9th suggests a man who is a powerful, sharp and incisive communicator and a connection with university too, Hughes was a fellow student at Cambridge when they met and they were quickly married. Other qualities sympathetic to the placement are to be found in the opposition to Chiron – much of her anguish and intellectual inferiority issues were experienced through him (Chiron in the third) and the square to Mars in Leo in the 6th further suggests an almost daily habit to argument and disputatious communication. The union cannot have been easy. Hughes himself hinted at the possibility of her rising sign being a little off: ““that day’s Sun in the Fish conjunct your Ascendant exactly opposite my Neptune,” with his Neptune at 3 Virgo. This of course places Neptune on his descendant and clearly resonates with their match.
3. Her father is easily identified, Sun square Saturn certainly identifies his cold and rather unloving demeanour. In Scorpio and the 8th? The early death or loss of her father is clearly marked out thus. At age 8 Saturn squared Uranus by Solar Arc (something sudden relating to the father) and the Sun applied hard by Solar Arc to a quindecile of Chiron marking the genesis of the pain of the loss of her father which was to form such an impetus for her later work and ongoing anguish, in keeping with the nature of the aspect itself of course it became something of an obsession.
4. Peregrine Moon always tells a story and intimates something of a dissociation complex. These people disconnect according to the nature of sign and house. In Plath’s case a romantic reverie is implied, and she may have dreamt long and often about the perfection of her great love. In Libra too there is an overwhelming need to be considered attractive, fair (in all senses) and interesting, which gels not at all well with the reality of her marriage to Hughes who was often considered to be something of a brute (his subsequent wife whom he left Plath for also committed suicide incidentally, and many consider it no coincidence that he is a common denominator in the relationships.) Peregrine Moon too often tells of a feeling of emptiness and isolation which seems to permeate her poetry too: “Empty, I echo to the least footfall,/ Museum without statues, grand with pillars, porticoes, rotundas./ In my courtyard a fountain leaps and sinks back into itself,/ Nun-hearted and blind to the world.” (From “Barren Woman”) And her mother too! What impact must it have had on the young Sylvia to see her mother so alone and widowed, even if she considered her father to be rigid and incompassionate? Children love and miss even bad fathers of course.
5. And what of poetry? Clearly, with Ve/Ju/Ne in Virgo and the 7th there is a prising out of harmonious economy in all matters of love, faith and spirituality. Of course Neptune is key to poetry but also to that yearning sense of wanting to transcend the difficulty of life because of a sense of disappointment with things. So much of her anguish in her poetry has this at its root, a sense that she has been let down and disappointed, most especially by men. No surprise that Plath has in more recent times become such an icon for the feminist movement, although I cannot imagine that she would have been anything short of horrified by such an association considering her astrology if nothing else. But consider the idea of a harmonious economy and what do you have? Metaphor! Consider “bright as a Nazi lampshade” from Lady Lazarus (an autobiographical account of her first suicide attempt): what could be more shockingly bright? Or using a feverish delirium as a metaphor for love gone awry: Darling, all night / I have been flickering, off, on, off, on. / The sheets grow heavy as a lecher’s kiss. This she wrote during her final days after Hughes had left her.
6. More intriguingly than this even is the most cursory examination of halfsums. With Uranus at the crucially profound Sun/Moon midpoint there is a clear impetus to the separation (Ur) of husband (Su) and wife (Mo) (father and mother too), but essentially separations and upsets are in store. Then consider Pl=Me/Ve. Power (or powerlessness) is realised through communicating or writing about love, or creating an art from writing. The great Ebertin marks this halfsum as “tremendous creative power” and the “recognition of art as a mission.” Quite wonderful. Then we have Ju=Ve/Ne! I wrote an entire article on this single midpoint (called: “The elusive astrology of yearning and the Venus Neptune halfsum“) and in Plath’s case there is no question that it would expand her ability to access the numinous and find an intimation of transcendent love. Ve=Mo/Ne also suggests a disappointment in love but a possibility of accessing a more divine form of contentment.
7. Of course, there is an even more pertinent observation. Sappho, the asteroid is so named for the ancient Greek lyric poet: later Greeks included her on the canonical list of nine lyric poets; her reputation survives intact even though much of her work does not (fragments attest to her ability however), and it is to be found in Plath’s nativity at the exact midpoint of Venus and Jupiter (3°49′ from each.) A Venus Jupiter conjunction (which does not in this instance detract from the reality of peregrination) is a horn of plenty aspect, and the “joy of love” by Ebertin, so any influence at the convergence of these powers is going to be powerfully exalted. Jupiter too (and peregrine) rules the Midheaven, and conjunct Sappho her vocation as a poet becomes ever clearer.

Sylvia Plath’s final days were a true tale of peregrinated Moon in Libra cast down. Her isolation was complete, the reigning need of her life, to be loved, to be the wife, to be exalted by her union of love was broken and the distress of her lost father and her intellectual self-doubt crowded in on her. She died just as Saturn (husband and father) applied by Solar Arc to her Ascendant whilst simultaneously squaring Chiron. The pain of the men in her life and the great weight of disappointment seems somehow to be born at that point, brought into the light for all the world to see as Saturn crossed ponderously into the first while Venus also squared Pluto by Solar Arc at this exact juncture, love and death configured in with the burden of isolation; loss and loneliness. Or in the words of her final poem:

Edge

The woman is perfected.
Her dead
Body wears the smile of accomplishment,
The illusion of a Greek necessity
Flows in the scrolls of her toga,
Her bare
Feet seem to be saying:
We have come so far, it is over.
Each dead child coiled, a white serpent,
One at each little
Pitcher of milk, now empty.
She has folded
Them back into her body as petals
Of a rose close when the garden
Stiffens and odors bleed
From the sweet, deep throats of the night flower.
The moon has nothing to be sad about,
Staring from her hood of bone.
She is used to this sort of thing.
Her blacks crackle and drag.

Don’t Jump In! Moon conjunct Neptune.

Moon conjunct Neptune is dreamy, refined and often misunderstood.

Imagine this scenario: someone you know has come to see you and on their way over they have got stuck in traffic, had an argument with a co-worker on the phone and discovered that their husband spent the housekeeping on a hooker, then they call in at your house, and actually, they like you very much and just want to hang out for a while so they don’t mention any of that bad stuff, but inside they are angry, upset, hurt and frustrated, as would only be natural for anyone who had experienced such a frustrating and upsetting set of circumstances. For most, this visitor would appear agitated perhaps, maybe a little off and flat and for anyone without Moon conjunct Neptune it wouldn’t represent much of a blip on their personal radar, off their friend would toddle, and they might think to themselves “hmm, they seemed a little odd today, no matter”, and they would carry on about their business and probably forget all about it.

Not so for Moon conjunct Neptune. Not by a long chalk.

For anyone with Moon conjunct Neptune, they can feel the anger, resentment and frustration from their friend almost as a physical force in the room. The hostility would be profoundly uncomfortable, they feel so uncomfortable in fact that they may even begin to physically sweat, or shake, or feel a little wan and pale. And even before their friend was out the door they will already be running through the list of all possible misdemeanours they could possibly have committed to have caused such an upset, because it is entirely possible that their friend is angry because of something they have done, or said, or not said, or not done, or implied, or inferred or failed to anticipate.

Moon conjunct Neptune is sensitive.

So sensitive in fact that they can walk into a room and feel something in the walls. Moon conjunct Neptune doesn’t like hospitals, or asylums, or even places where somebody else has been in a bad mood in the last hour; and they really absorb the ambient and prevailing feel of people and places; they’re so sensitive in fact that you might even consider it a kind of social disability, because people who don’t have Moon conjunct Neptune simply have no clue how to behave around this person. Moon conjunct Neptune often wants to simply shut herself away if only to feel normal…

It’s not all bad though. There is no more refined possibility of feeling than that which exists as a potential within this aspect. It is entirely possible indeed to experience a sense of near-rapture when the conditions are just right. There is a deep well of feeling and compassion possible within this blend that probably exists nowhere else in the astrology, it creates many difficulties, peculiar ideas and strange notions, a feeling of being unsatisfied and misunderstood, a very difficult level of sensitivity to people and events, but by that same token it creates a sensitivity that when tweaked positively can open up a wide and verdant vista of communion with life that is truly rich and rewarding.

The most difficult consideration of Moon Neptune conjunctions however is found within this very deep pool of feeling that is created within the psyche, because all too often, and most especially in times of adversity, it is all to easy for them to simply “jump in”. It becomes something of a siren call for the native, not so much to wallow in their sense of being misunderstood, but actually to dive head-first into it and actually revel in it just a little. The most important advice I can possibly offer to anyone with Moon conjunct Neptune is to learn to recognise this tendency and when they hear that seductive song, to resist: “don’t jump in!” Skirt around the edge if you have to, paddle a little if you want, but keep your head above water: self awareness is the key, and the eternal refrain: “don’t jump in!” Make it your mantra.

The sense of Moon conjunct Neptune through the signs can be easily delineated by studying some examples.

Moon conjunct Neptune in Leo

Moon conjunct Neptune in Leo works rather well, because Leo is among the most naturally affectionate of the signs, so there is a route out of the adversity of this aspect through allowing that natural predilection to feeling human warmth shine through. At its worst Moon in Leo can tend to the vain and snobbish, but wherever Neptune is configured there is created a predilection to the immaterial. Those with this aspect who pursue the inclination to love of luxury found in the Moon placement will invariably experience disappointment as a result. Neptune in Leo though is profoundly melancholic too, so the tendency to jumping in to the lake of sorrow is decidedly exaggerated here. Jack Lemmon, Anne Frank and Peter Ustinov all demonstrate the gentle and kindly warmth of the conjunction in the eternal flame of the sign Leo: consider Nancy Reagan, Queen Elizabeth II and George C. Scott, all of whom evinced both Moon and Neptune in Leo, but without the conjunction, the quality of the blend when viewed in this context, is unmistakable.

Moon conjunct Neptune in Virgo.

In Virgo then, compare the three examples above: the Dalai Lama, Dustin Hoffman and Marvin gaye with any three other natives born with both Moon and Neptune in Virgo but out of the conjunction: so, for example, Sean Connery, Jack Nicholson and Lou Reed. Immediately you will get a sense of the conjunction, the blend, which sensitises, softens and creates an often difficult vulnerability in the manner. Moon in Virgo alone is not the greatest placement for Selene, since it creates an incompatible practicality where the head rules the heart, a love of tidiness, method and order but also, in its best manifestation a tendency to simplicity and frugal habits. At its worst, Neptune in Virgo is pedantic, fault-finding and difficult to work with (which is a criticism very much associated with Dustin Hoffman for example), but it also gives an intuitive understanding of others and a profound interest in natural health. When these influences are brought into the conjunctive blend then we have a potential for great sensitivity to environments, especially cluttered, chaotic spaces. It makes one hyper-sensitive to working relationships (which explains Dustin Hoffman’s reputation almost perfectly) and gives a profound interest in simple, healthy lifestyles and philosophies: which rather gels with the Dalai Lama’s admirable message of compassionate simplicity. Any Moon – Neptune contact speaks volumes about the relationship with the mother too, perhaps she was fault-finding and practical but in some other sense vague or hard to understand or especially sensitive herself. Maybe she was a clean and tidy drunk. Possibly she was profoundly spiritual and methodical in her habits too; the blend always plays out through the maternal experience in one way or other.

Moon conjunct Neptune in Libra

Libra creates a subtle leaning toward the Other, thus any configuration in the sign of the scales profoundly affects the entire process and approach to relating, and the Moon – Neptune blend is no exception. Neith put it this way, which speaks to this exact potential:

Having spent many years dealing with a Moon-Neptune conjunction in Libra making it very difficult for me to see the reality of what was going on in my relationships, I have some experience and a few thoughts on coping with Mr. Fogbank.

All of that innate sensitivity and confusion is experienced through close relationships, and nowhere more so than in the marriage, although it can potentially create a similar ambience in business or creative partnerships too. Moon in Libra alone creates a need for love and affection as well as a measure of dependence on the partner for security and comfort and when Neptune in Libra is configured there is a genuine requirement for friendship with the partner too, so all of that sensitivity that is implied by the conjunction must in some sense be played out through the partner, who must be a friend of the most supportive kind otherwise the native will tend to become melancholic and confused and – as ever with Libran concerns – slightly off-balance. Sting, David Essex and Benazir Bhutto all shared this conjunction.

Moon conjunct Neptune in Scorpio

Moon conjunct Neptune in Scorpio creates a very different ambience to Libra, although the vulnerability and sensitivity engendered by the aspect is still its standout feature. Consider the three examples of John Cusack, David Schwimmer and Greta Scaachi and contrast them with three natives having both Moon and Neptune in Scorpio but without the conjunction of the two in force: Will Smith, Liz Hurley and Jennifer Lopez. The softening and emotionally refining influence of the blend in these latter cases is absolutely conspicuous by its absence. Moon in Scorpio alone creates a tough, resilient, emotionally tenacious and frank impetus, while Neptune in this most emotionally intense of signs creates a very peculiar disposition, one that is rather difficult to fathom which simply increases the potential for being misunderstood that is already inherent in the aspect itself. Scorpio is of course deeply compassionate when evolved, and this aspect certainly encourages that outcome in those affected; this set of circumstances makes the Moon – Neptune in Scorpio native most likely to withdraw from the world – a fairly natural condition for the Scorpio in any case – since the sensitivity is increasingly tweaked by the experiential incomprehension which is the result of this blending. Neptune in Scorpio creates a tendency to soul-sickness and states of low level melancholy too and often this, when integrated into the emotionality of the Moon, creates a soft but world-weary ambience. When all is said and done however, Scorpio on the Moon is required to survive on meagre resources, they can nurture themselves on Spartan rations, emotionally as much as anywhere else, so there is at least an intimation of balance in the equation.

At its very best, in whatever sign it is found, the contact of Moon and Neptune of any type creates a great sympathetic ability in the astrology, a person who can understand and empathise with the difficulties of others, but the conjunction feels those self-same difficulties more directly and immediately than any other type of contact, and very often the sense is entirely involuntary. Vivid dreams are another factor in any of Moon’s applications to Neptune. At worst, the contact creates a tendency to fantasy, delusion and dishonesty, most especially with the square or the opposition, but even in such difficult cases, the overriding impression is one of profound sensitivity.