Venus, Mars and Neptune, with a little Zeus for good measure…

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Thunderbolts are go!

Today I would like to look in some detail at the various dynamics of the relating planets – Venus and Mars – in their applications to Neptune. Whilst not nearly as abrasively uncomfortable as Venus and Mars to Pluto connections, this blend does create its own unique difficulty and with understanding, there is certainly enormous potential for progress.

I could of course talk in the abstract about these energies, but it would be better in my view to use the example of Venus Williams, the American tennis sensation who has won, with her sister, every major title and honour in the sport. Let us begin by looking at her chart for reference:

Venus Williams: 17 June 1980, 14:12 (+7:00) Lynwood CA, USA

Of course, what can be seen right away is the enormous number of correlations to her sister Serena: here are just a few:

  • Vesta (at one level, the sister) is on the Aries Point, thus public projection and prominence are the result in relation to the female sibling.
  • The only real connection that Vesta makes though – at a subjective level – is its conjunction to Sun, thus the father is the common ground, and pretty much the only common ground.
  • The asteroid Isis (42) is exactly conjunct the Midheaven: a career configured with a sibling, (Isis also relates to sibling relationships), and with the sign Cancer there is tenacity and loyalty here, but crucially, the conjunction is squared by Icarus (1566), and this is a square from Isis to Icarus of only 7 minutes of arc, so there is astonishing adrenaline-producing tension between them; a big part of her drive to the top is based upon her need to beat her sister, to be faster, better, in Icarus’ terms, to fly higher!
  • Mercury is at the apex of a tee-square from Pluto opposition Pallas. If we take Mercury to signify sibling relationships, what we have here is in fact sibling rivalry, Pallas speaks of behaviours and strategies that are developed to please others, and learned (most especially in a female nativity) through the daughter role; thus pleasing father is the key. Imagine how that feels when opposed by Pluto; it’s not going to be comfortable; there’s a real desperate, gun-to-the-head quality at work here, must be what father wants, and that tension gets channelled into Mercury, into the sibling dynamic. Note how Pluto is ruled by Venus and Pallas by Mars, and these planets are square to each other and both in hard aspect to Neptune, there’s essentially a competition here based on a need to be more attractive than the sibling, to be more lovable, to be preferable to father. This is echoed by a conjunction of the asteroid Lilith (1181) to Pluto, selection or favouritism, being the chosen one is a life or death issue.

The ultimate sibling rivalry, Venus as runner-up...

Now let’s consider, in this context, the tee-square of Mars, Venus and Neptune. Mars is the focus of the tee-square from Venus opposition Neptune and is therefore squared by both and importantly ruled by Mercury, echoing the key motivator in the pattern, being more attractive to father than the sibling. Confusing messages about sexuality would have begun here, love would have begun to unravel as a concept, and very early on this would have been a feature of the family dynamic. All the groundwork for later psychological imprints is done between the ages of 3 and 5 when the hard aspects of Mars to Venus/Neptune and Pluto to Pallas are perfected by Solar Arc, these early childhood years are formative in terms of the sibling dynamic and an awareness of what it means to compete for and win father’s attention begins to make itself felt. In any case, Neptune configured with the Venus-Mars square is profoundly significant, and this is the timing that we can isolate through Solar Arc measurement. We can project these timings forward and look for applications to angles to determine major transition points in relation to these early dynamics. We note the following:

Lifetime Solar Arc directions to As/Mc

1999 was Venus’ breakthrough year, and it marked a period when both herself and her sister Serena were in the zenith of their sport, Venus was ranked in the world’s top 3 for the first time and she faced her sister in a major final for the first time too. The sibling rivalry dynamic was lit up by the Sun’s presence at the zenith of the chart, and with Sun in Gemini, ruling Mercury therefore, it was inevitable that her sister would be configured.

Moving ahead to 2003, the Venusian quality is illuminated by the Arc to the Midheaven. The date here is 5th August and exactly 40 days later, her sister Yetunde Price was murdered by mistake (Venus is opposed to Neptune) in a drug-related drive-by shooting (squared to Mars which is profoundly conjunct Zeus, which rules firearms) near the tennis courts where the sisters used to practise when younger. Note too that Yetunde was a half-sister, and half-siblings are very often a feature of hard Mercury-Pluto contacts. 2004 was inevitably a hard year, Venus lost much of her previous form and struggled to make her usual impact in part because of a persistent abdominal injury which first troubled her at the time of her sister’s shooting. Note then that Mars (violence) conjunct Zeus (firearms) falls at 17 Virgo, the degree that corresponds to the abdominal muscles.

What we glean from the general tone and dynamic of the nativity is that this tee-square is profoundly powerful, most especially when it is activated by Solar Arc in this way. Let us try to understand the energy at work here, because these planetary relationships do manifest in very specific ways. When we understand and recognise these patterns we begin to be released from their unconscious directives.

The theory of tee-squares is very simple. The opposition creates a pattern of dissatisfaction, inability to find peace because of contrary drives, and the tension this creates is expressed through the apex planet; it fuels the apex point, and in the nature of the square aspect is a tense, driven, challenging and experientially uncomfortable force; it is the channel through which the internal tension is cathartised. Thus, when we understand the opposition, we can begin to speculate as to the motive force behind the external expression of drive.

So, Venus opposition Neptune. We can tell right away that there is a problem balancing (opposition) the themes of love (Venus) and reality (Neptune); in a nutshell it describes a condition whereby the experience of love never quite matches up to the ideal. There is a longing and a yearning – at a very deep level – for perfect romantic union, and the usual pattern for the individual with this aspect is to fall in love very quickly, and for a time everything is perfect, wonderful, a transport of the most exalted kind; the new partner is delightful in every way, it is a rapture, a deep and rapturous soul-union and all is well with the world. Neptune creates enormously high expectations, indeed, it creates impossible expectations, and this is the mechanism by which the innate spirituality of the planet is awakened, regardless of what planets it contacts. The expectations of impersonal Neptune are designed to be so perfect that they have to be beyond the reach of any mere mortal being, so the inevitable conclusion is disappointment (another profoundly Neptunian theme), and with time and repeated episodes of disillusionment in relation to the contacting archetype (in this case Venus, thus romantic disappointment), the transcending process is awakened. The soul learns that no other human can fulfill the dreamy expectations of Neptune, so the love nature begins to focus on transcendent objects of love, the divine, the spiritual, a love of humanity; impersonal love is awakened, the soul begins to focus on spiritual rather than personal desires and themes. Neptune uses divine discontent to fuel the journey toward transcendence.

Mundanely, the pattern is nearly always identical; I call this the ‘One Who Got Away’ Syndrome. Usually, there was a figure from the past with whom the individual didn’t quite consummate a relationship. There may have been a brief fling, or even no fling at all, just a desire for one, but crucially, the relationship never progressed beyond the first rapturous days and weeks of divine contentment. The relationship may have lasted long enough to have been in some way meaningful, but never so long for the mundane and unpleasant realities to impinge upon Neptune’s awareness. The personal hygiene issues and tendency to be a real grump on Monday mornings never quite registered, so the relationship still holds the promise of perfection, even after it is over. Often the reason that the relationship ended is considered to be in some way tragic, as befits Neptune, perhaps they were forced apart by external circumstances and loss and sorrow are bound up in the story, but crucially, it is important to recognise that had the relationship managed to progress, then it would inevitably have fallen into the disappointment trap: because that is what Neptune does.

Now we should consider in this exact context the fact that Mars also squares Neptune. You can put this together yourself, because as the other major component of relationship, Mars concerns itself with sexual (as opposed to romantic) love and this then is also pushed to be the focus of the Neptunian disappointment trap. Typically, Mars – Neptune has very vivid sexual fantasizes that – again – cannot be satisfied by mundane reality and so sex becomes a disappointment too. The wish is to be transported into a state of sexual Nirvana, but it cannot happen, the woman with this aspect especially tends to project it onto the man in her life, his sexual performance doesn’t therefore match up: it is always disappointing. The man is of course perfectly aware of this (albeit at an unconscious level) and this is why he often takes refuge from the self-doubt that is engendered by the projection in Neptunian themes, alcohol, drugs, pornography and illicit affairs. Deception becomes a key component of the projected dynamic. It is astoundingly common for Mars – Neptune women to discover that their husband has been having an affair behind their back, often for many years! The dynamic is quite compelling, knowing (deep-down) that he can never satisfy his wife’s sexual needs, he protects himself from emasculation and ego-collapse by finding somebody whose sexual needs he can satisfy. He is not ostensibly being unfaithful even, or at least that was never his objective, it is invariably an act of self-defence (although understandably it is extremely difficult for the deceived partner to see it this way).

Finally, Venus squares Mars, and here there is no transcendent conundrum, this is simply an inability to reconcile love and sex, the two feel uncomfortable because there is a competition dynamic at play where love is concerned. Love (Venus) becomes confused with winning (Mars), indeed, all Venusian themes are given dynamic tension through the competitive, physical, go-getting drive of Mars. This dynamic again plays out in Venus Williams’ nativity: with Venus in Gemini (siblings), there is a competitive edge to the need to be loved. Competing for love, might be the watchword of this aspect, and remember that this square rule the Pallas-Pluto/Lilith opposition, which says “if I’m not father’s favourite, then I’ll die”. It was her father who pushed the sister’s to become tennis players and his ruthless determination that they be the best that has provided much of the energy for their astonishing rise to prominence.

There is so much more of interest here (if I had the time I’d write it all out), but suffice to say:

  • Consider how the tee-square expresses. Mars is in Virgo, so power is combined with precision. Ed Moses had Cazimi Venus conjunct Mars in Virgo, perfect precision of movement, economy of movement, here force is applied with skill.
  • Then Mars is in an absolutely partile conjunction (10 minutes!) with Zeus, the Transneptunian associated with firearms and sports! (Archie Griffin has a Cazimi Zeus!) Zeus threw thunderbolts right? Venus Williams has the fastest serve in women’s tennis:

    [From Wikipedia] She holds the record for the fastest serve struck by a woman in a main draw event. At the Zurich Open, she recorded 130 mph (210 km/h). She also holds the record for fastest serve in all four Grand Slam tournaments: 2003 Australian Open quarterfinal – 125 mph (201 km/h), 2007 French Open second round, 2008 Wimbledon final, 2007 US Open first round – 129 mph.At Wimbledon in 2008, her average first serve speed was 115 mph (185 km/h) in the quarterfinal, 116 mph (187 km/h) in the semifinal, and 111 mph (179 km/h) in the final. She also had a higher average serving speed than then World No.1 Roger Federer as well as eventual men’s champion Rafael Nadal.

  • Mars is at the halfsum of Uranus and the Midheaven, so unusual authority, career individuation is realised through precision and power (and throwing thunderbolts).
  • Venus’ boyfriend Hank Kuehne has (wait for it) Zeus conjunct Sun, with Sun at 18° of Virgo, mere minutes from Venus’ Mars/Zeus conjunction. It’s impossible without knowing his birth time to say how exact this might be, certainly it’s within a few minutes at most. That’s one relationship that was certainly written in the stars!

That’s plenty for this article, please bear in mind that I can apply this same insight (and much greater detail) to your own nativity, so please check Astrology Hour if you would like more information.

Hank Kuehne

The elusive astrology of yearning and the Venus Neptune halfsum

Today I would like to discuss a somewhat more subtle insight of the astrology; one which really questions the tendency to try and break down the experience of interpretation in a clearly Virgoan manner; this as much as anything else creates (for myself) a sense that Mercury cannot approach the astrologer’s craft fully, and certainly in isolation it is not enough to think it. The same can be said for Uranus, which, though subject to sudden inspirations is entirely too scientific. The astrology is a glyph; there is no sense treating it as a collection of aspects and placements any more than you can treat a forest as a collection of trees, if you understand one tree it does not tell you much about the forest really, except that one component of it has this specific quality. By standing on a high mountain though, and viewing the forest in its entirety, you can gain a sense of its place in the wider vista of the landscape: this is the profound grasp of the art, and certainly once you have that, you might wish to venture under those shady boughs and run your hands over the bark and breathe in the scent of those dappled glades. Mmmmm….

Today then I want to consider the halfsum of Venus and Neptune, because it is a profoundly important point in the astrology, and one that is rarely discussed. Halfsums (or midpoints if you prefer) are negelected on the whole, and many of them are (in my view) only incidentally intriguing, but there are a few which have especial significance. Foremost among these are the halfsums of Sun and Moon (marriage), Venus and Mars (passion) and Saturn and Uranus (the impulse to awakening compassion via tension, the Chirotic point). Perhaps more than any of these though, I find the Venus and Neptune halfsum to be profoundly insightful.

When we consider that Neptune is the higher vibration of Venus, then the marriage of the two is always going to be significant and potent in some way, whether by transit, progression or just by natal aspect. The midpoint however defines a third point in the astrology that is not one or the other, but the gateway between the two energies, thus it is the spring from which divine love, transcendent love and thus true spiritual love can flow. It is dreamy, romantic in an ideal, rather than a very personal way and too it is tempered by a certain inevitability toward disappointment, at least until the compassion is activated. Of course I know a great deal about this point because in my own astrology my Sun is placed within 4 minutes of the Venus Neptune halfsum and this is where I wish to begin, by examining specific planetary placements at the halfsum of Venus and Neptune, and importantly only those based upon a 360 degree modulus. Uranian astrologers will have it that a 90 degree, or even a 45 degree modulus is significant – and it is, but with each division the effect is weakened, thus I wish to concentrate on the full circle only.

Su=Ve/Ne (within 1 degree at 360 degree modulus)

Su=Ve/Ne (within 1 degree at 360 degree modulus)

Traditionally then the conjunction, or mundane blend of Venus with Neptune creates an inclination to mysticism, a romantic ambience and a distinctly artistic outlook; physiologically too it creates a very sensitive nervous system and the harsher realities of life are for these people often the trigger to various psychosomatic and nervous disorders. The midpoint contains all of these qualities, and if you observe transits by conjunction to the halfsum carefully you will see how these key qualities are moderated by the nature of the applied vibration. Thus:

Sun: Captain William Bligh certainly evinced a self-aware (Sun) love (Venus) of the sea (Neptune) but of course his story ended bitterly and in disappointment after the infamous mutiny on the Bounty. Derek Jacobi is an actor who evinces a rather ideal and dreamy quality despite his propensity for forthright roles and certainly Barbara Cartland is well known for exalting the theme of romantic love in her life and work. As for Guy Pearce, who is something of an astrological doppelgänger of mine having been born within a few hours and a few miles of myself) you only need watch Memento to get a real feeling for how this midpoint is expressed in his work. Sun placed here creates a romantic disposition, a difficulty with reality – which is clearly evident in Bligh’s story and which is also clearly the fuel for much of Cartland’s actual work – as well as a peculiar sense of yearning for a very refined state of divine insight. I can attest to all of that. These feelings will be evinced whenever transiting Sun conjuncts this specific point in the astrology.

Marc Edmund Jones

Marc Edmund Jones

Moon: One example only of this rather personal experiential point, because it creates a serious tendency to fluctuating emotions, in women it creates a tendency to romantic dissatisfaction, and in a man the tendency to marry such a woman. The great Marc Edmund Jones held this particular configuration, and the formulation of the Sabians is nothing short of a homage to the power of spiritualised love for the art of astrology. The specific placement for Jones was Moon in Leo in the 10th (thus a profession which brings him to the attention of the public), although most intriguingly of all Jones’ halfsum falls at the exact midpoint of Moon and Saturn also (Moon at 15, Ve/Ne at 16, and Saturn at 17 of Leo), thus it is an extremely potent point; Saturn at the halfsum (as we shall see) creates considerable shyness in love and a difficulty in expressing these more refined feelings of love, but of course Jones’ Sabian Symbols are a wonderful example of an attempt to systematise (Saturn) his love of spiritualism, and he developed them in tandem with Elsie Wheeler, who was herself a woman with a physical disability (Moon conjunct Saturn) since she was crippled as a child and confined to a wheelchair for the remainder of her natural life; she was also reckoned to be an extremely powerful psychic; all of these themes, of Venus and Neptune falling onto Moon conjunct Saturn are in evidence. In general, Moon’s transits to the Ve/Ne halfsum will evince a sense of fluctuating feelings, the possibility of being misled by others: especially women although it ought to be a significant point in the astrology for those who are comfortable living from the feminine.

Mercury: Only one example here, and fittingly, it is the author Michael Crichton, who certainly has the ability to reach a large audience with his flights of romantic imagination (and anyone who wants to claim that he doesn’t write romance novels is clearly missing one of the fundamental understandings of literature).

Mars: Here then there is ability to act upon the love nature, it expresses amorousness and also a slight tendency to sexual aberration, because it creates a peculiar yearning (Ve/Ne) for sex (Mars). Rock Hudson, Robert Kennedy, Oliver Stone, the director of Roman Holiday William Wyler and the astrologer Liz Greene all share this particular placement.

Jupiter on the halfsum makes a diva...

Jupiter on the halfsum makes a diva...

Jupiter: Here the transcendent love nature is expanded and given an element of healthy goodness, in keeping with all Jovian influences; it might also make you rich, if you can tune into the big energy on offer. Kylie has this exact configuration, as does Michael J. Fox (which might expand the disintegrative force when considered in tandem with Chiron rising is Pisces),  Susan Sarandon, Emmeline Pankhurst (a philosophy of feminine exaltation) and the respected astrological writer Stephen Arroyo.

Saturn: As already considered in the case of Marc Edmund Jones, here the higher love nature is felt to be restricted and cabined; it will still be evident, but here it becomes a burden or a responsibility or it is subjectively felt to be. Kevin Costner and Robin Williams share this placement with Jones.

Uranus: I find no instances of Uranus on the midpoint except in two of my personal clients (both of whom are related as Aunt and Nephew incidentally). My feeling though is that in keeping with Uranian energy and all things Aquarius, it is a position which defies identification. No doubt unusual ideas about divine love, peculiar yearnings and a tendency to sudden upsets in love and a longing for very unique romantic attachments ought all to be in evidence. There may be genius for expressing the joy of divinity in the life also.

Pluto: The composer Erik Satie, Ronald Isley (of the Isley Brothers) Candice Bergen and Omar Sharif all add Plutonic intensity to this very sensitive midpoint and no doubt their love nature is singularly intense and mildly overpowering. Here there is a hint of renunciation (Pluto requires transformation) which will be undoubtedly painful and difficult simply because of the breaking up, breaking apart and the rebirth that is compelled out of Plutonic compulsion. If you find Pluto here by transit then you are likely to find yourself transforming your closest attachments as a result, trying to transcend personal attachments or simply to get shot of them once and for all.

So, what does the midpoint look like?! This has to be intriguing and we can get an idea by finding Ve/Ne=Asc, and I find only two in all of my files: that of Uma Thurman and my wife. And if you want to know what it sounds like, then listen to Janis Joplin, who evinces Ve/Ne=MC, while one person who expresses the midpoint most competently is Katharine Hepburn, with Ve/Ne=Pallas.

Help and insight relating to the Venus Neptune halfsum and many other issues in the astrology can be found here.