The Lion and the Cobra and the Leo-Scorpio Square

Lion and Cobra

There are often profound insights to be found in scripture. This has nothing to do with religious belief either, it merely states a clear fact, because it states in the bible that you really don’t want to be stepping on the Lion and the Cobra if you can possibly avoid it. (Actually it says that you can tread on the Lion and the Cobra, providing you trust in the Lord thus: “No evil will befall you, Nor will any plague come near your tent. For He will give His angels charge concerning you, To guard you in all your ways. They will bear you up in their hands, That you do not strike your foot against a stone. You will tread upon the lion and cobra, The young lion and the serpent you will trample down.” From Psalm 91). Clearly though the wisdom contained therein suggests that unless you have the Lord’s protection, then the last things you should step upon in all creation are the Lion or the Cobra. They’ll mess you up. The aphorism derived from this is astrologically apt, the Cobra will leave you alone providing you don’t provoke it, and a happy well-fed lion will happily ignore you too, providing you show it proper respect and this is no more or no less than we understand about the nature of Leo and Scorpio.

In my experience Leo speaks to two key principles; leadership and creativity and all Leos and Leo placements will have at their essence one of these Manuscript Headerconcerns (and often both). The reason that Leo speaks to leadership concerns is because of its innate expectation of respect, because like any lion, Leo wants to be admired. Thus Saturn in Leo creates a test of leadership, the pull of the Leonine fire is toward exaltation, like the fixed flame of his genesis, it is a wondrous sight to behold (think “the eternal flame!”) but with Saturn the desire for that divine state is turned into a life-challenge; people will not admire the Leo configured with Saturn even though the native will demand it, this creates (often) arrogance and pomposity – which is merely a state of demanding respect which has not been earned. That is Saturn in Leo. Similarly, Leo is the creative principle; ruled by the Sun, creator of all life, which is exactly why Jupiter in Leo so loves children and Saturn in Leo struggles to love them. Moon in Leo is instinctively commanding, when put under pressure the Moon in Leo native will try to take charge. All of these insights are underpinned though by the fixed nature of the sign. Yes fire is warm, fire draws people to itself, but the fixity of Leo proclaims itself as a fire that cannot be put out, thus it cannot be extinguished, managed, controlled or argued with, Leo is an ‘always on’ type of energy that like the Lion will not stand down.

And then there is the cobra. Here is an entirely different animal. Cold-blooded, deadly, hard to properly see and generally feared, but not feared out of respect for its magnificence like the lion, feared because it will leave you for dead as soon as look at you. The cobra is not mighty in that divine and kingly way that the lion conjures, but just as deadly, just as implacable. Now if you think about the cobra (or the Scorpion: another facsimile for the Scorpio energy) you will understand right away that they are small, almost insignificant, but they can kill an animal many times their own size and what this really underlines is the key power of the sign of Scorpio: survival.

There are sub-plots with Scorpio of course, but they all boil down to the essential foundation of the sign’s nature, which is the survival instinct. The major sub-plot is the idea of penetration; that is a sexual imperative (via the penetration involved in coitus) as well as a mortal one (since penetration of the flesh by sword, sting or venomous fang will destroy the life), but essentially, this penetration is always at its core a survival issue; sexual penetration ensures genetic survival while combative penetration ensures physical survival; thus the essence of Scorpio is always survival. I have written about this in the past in context of Moon in Scorpio, but consider Mars in Scorpio; here is a placement that is ideal for the warrior type. It is not the chivalric, noble warrior code of Mars in Leo for whom honour and glory on the field of battle are possibly held in higher regard even than survival, but it is instead the kill-or-be-killed mentality of the pit-fighter, it is the secret, stealthy mentality of the assassin, it is the merciless and ruthless killer who, without hesitation strikes down his foe and doesn’t look back. There is no consideration of honour, but neither is there any attempt to bathe in the glory of an act of violence, it is merely expeditious; it is a doing what must be done, without a great fuss, in order that life can go on.

This understanding gives a powerful insight into the Leo-Scorpio square. Both signs are in their way implacable, both are fixed, both will not give way and a head-to-head between the lion and the cobra is going to make an uncomfortable contest. The lion cannot give way because he would be dishonoured to do so and his dream of respect and leadership would lie in tatters if he were seen to ignobly baulk at the offer of battle. By the same token, the cobra will not turn his back on the fight because his survival instinct is too strong, turning his back would leave it open to attack and so a stand-off ensues.

There is therefore an inability to compromise in any square between the signs of Leo and Scorpio, both want to go their own way and neither is prepared to back down. The result of any square is tension and ultimately inertia, but with these signs the tension is multiplied and magnified both; neither sign too understands the other, inextinguishable flame and stagnant water have little enough common quality, it is an irresistible force and an immovable object combination that simply creates a peculiar form of paralysis. Actually, as we are beginning to understand it is actually very much a stand-off; neither can feel it is able to win the fight, but neither – for entirely different reasons – feels comfortable with the idea of backing down.

Let us consider a few informative examples.

How about Ted Bundy, the American serial killer, estimated to have murdered between 29 and 100 young women between 1974 and 1978?

Ted Bundy Nativity

Here the square aspect connects a conjunction of Saturn with Pluto in Leo on the 12th with Jupiter in Scorpio riding the Imum Coeli; this is significant especially. Saturn combined with Pluto is known for its brutality; it was known bt Ebertin as “hard labour” and indeed wherever it is found it makes life very, very difficult; it is for this reason that esoteric astrologers consider it to be a deeply karmic aspect, and whether or not you choose to believe that, the reality is, it makes something of a prison sentence of the life. With the ruler of the 8th – Neptune – itself being the ruler of the 12th, then it is little surprise that Bundy’s life ended in prison at the hands of the legal system (Neptune in Libra!). This aside though, consider the ruler of Leo, the Sun and place that brutality in context; the Sun is in the fourth, so the brutality implied by the Saturn Pluto conjunction is enacted through increasingly sadistic sexual tendencies (Jupiter in Scorpio negated) in private (the 4th). The majority of his attacks were carried out in his car or in the homes of his victims, (3rd/4th houses). Jupiter configured with Saturn creates an enormous oscillation; it is a stop-start, hot-cold aspect that generates debilitating tension; Jupiter and Pluto bring leadership and dominance issues to the fore; especially across these signs; here there is tremendous potential for abuse. Consider the near-peregrine island of Mercury and Venus in Scorpio; here is somebody who thinks about sexual or power issues, who possibly confuses love and sex and who is sexually dissatisfied (implied by the Venus quincunx deviant Uranian thinking in Gemini). The mix is difficult and dangerous.

The key however is Jupiter in almost partile square to Pluto; which itself combined with Saturn in the suppressed 12th gives near-fanatic sexual dominance issues that conjunct the IC, are carried on in secret. Anyone born in the years 1946 and 1947 with this particular square (and more generally the Sa/Pl conjunction) will probably display some measure of fanaticism in their outlook; I have seen it time and again in this subset of the Pluto in Leo generation and it nearly always combines power and money issues in some way (and how else explain how that generation ushered in the most debilitating era of pointless and soulless capitalism since the days of European feudalism?) Here is a further example:

Arnold Schwarzenegger Nativity

Consider this identical aspect in the chart of the well-known actor Arnold Schwarzenegger. Here the fanatic impulse is found in the Sa/Pl conjunct in Leo too, but now in the earthy 2nd, there is therefore a financial connotation, and Arnold is truly wealthy, but the house (and the sign of Leo too) is now dominated by the Sun, partile to the cusp in its domicile; creating an enormous ego and huge personal and physical power. The square to Jupiter in Scorpio creates a leadership issue too, but the Ascendant is trine Jupiter giving an easy outlet for the tension into the body itself. Arnold’s physique becomes a channel for all that power, leadership and dominance; he can quite literally manifest the tension into his muscles. In the 5th as well, Jupiter introduces an element of joy into proceedings, Arnold enjoys flexing his biceps and showing off his great power. But let us not forget too that Arnold has a peregrine Venus, he really wants to be beautiful and admired for his physical perfection (Venus rising) and in the sign of Cancer and with Moon quindecile to Mars in the 12th, he probably feels compelled to do that because his mother didn’t nurture him very well.

But despite all of this, there is a combination of Leo and Scorpio that is respectful to both. It is the Spartan. Here is a warrior that retains honour and respect, but fights for survival. The key to transforming the Leo-Pluto square then is to fight, not like Richard, Coerr de Lion, but to stand your ground, like Leonidas at Thermopylae. That is the archetypal compromise for these two difficult energies. It is not so much a winner and loser scenario, but instead it speaks of finding the very narrow common-ground, the perfect balance between the two, where their energies can be combined in the person of the Scorpion-King (who bears more than a passing resemblance to Conan the Barbarian, the role which first catapulted Arnold Schwarzenegger to the A list. Another example of just how succinctly life imitates art!)

Advertisements

Pluto on the 10th, Thomas Hardy, Tragedian

Thomas HardyThere is, in this astrologer’s humble opinion, no finer novel written in the English language, than Thomas Hardy’s Return of the Native. It surpasses in its sublime blend of Neptunian sensitivity, Plutonic tragedy and Uranian brilliance his better known later works, such as Jude the Obscure (or Jude the Obscene as it was known contemporarily for its frank sexual themes: some book dealers would sell copies in a brown paper bag) and it (again in my own opinion only) dwarfs the comparatively staid literary proficiencies of Dickens and the like. Hardy wrote Victorian England’s Iliads, Dickens its Daily Mail editorial, there is simply no reasonable common-ground.

Jude was so badly received for its lascivious undercurrents, its flippant treatment of lax virtue and its brutal commentary on social deprivation (which is shocking still to this day), that Hardy gave up novel writing for good; but he had a peculiar penchant for testing the boundaries of acceptable content in his work, and then seemed to become especially offended at the reaction he provoked when he successfully crossed it! His greatest works were always accompanied by themes of such Hadean darkness and despair that they make poignant and harrowing reading to this day, and the vivacity and power of the Arcadian landscapes he painted with his words are quite haunting in their potency; certainly when compared with the infernal, hellish visions of the slums and tenements of the city that he conjured; here is a writer who I believe was using his gift as a form of advocacy; Thomas Hardy was not only a master storyteller, a keen psychologist and a passionate celebrant of human love who rebelled against the cloying strictures of a repressed societal tradition; he was also our country’s first ecological activist.

Thomas Hardy Nativity

His astrology is a treasure trove of delights, a mine of insights, that when viewed in context with his writing style, gives an excellent insight into the practical application of astrologic craft. Here are my main delineations:

  1. For a writer there is not a great deal of 3rd house emphasis, but the chart ruler – the Sun – is in Mercury ruled Gemini and the 3rd house ruler is Venus in nature-loving Taurus. This explains then his ability to write about natural, earthy themes with such charming eloquence.
  2. Moon, Mercury and Venus are all placed in their domiciles, giving power to the emotions and memory, the intellect and writing ability and the aesthetic sense and the love nature.
  3. Similarly there is a delightful mutual reception between Uranus and Neptune, giving a genius for appreciating the divine.
  4. Look to the Quindecile from Venus to Jupiter, which always concerns the joy of love; here then is an obsession about the joy of love.
  5. Then note that Jupiter in Scorpio in the 5th house is at the focal point of a Yod from the Sun and Midheaven. Thus the products of his creativity (thus his novels) were never truly satisfactory to him in his career aspirations, or in his self-assessment of his true ability. Here is a ‘could do better’ aspect pattern that with Scorpio involved seeks to be more penetrating, more insightful, more piercing. Note just how stressed Jupiter is here in the 5th house of creativity; he needed to express his power (Scorpio) with words (5th).
  6. Then see the Quindeciles from Saturn to Mercury and Mars. Here there is a conjunction of Mars with Mercury, which creates a rather devilish mindset, a quarrelsome tendency that in the 11th rather speaks of a wish to pick a fight with society at large. Then consider the quindecile in that context: Saturn speaks to the mores and formalities of novels (in the 5th), thus he rebels against the conventions of novel-writing and uses his words to pick a fight with the world.
  7. Chiron conjunct Moon in the 12th speaks of some secret sensitivity to situations concerning the women in his own life; it suggests that the tragedy he wrote of so skilfully was more than a professional affectation.
  8. Now consider the Midheaven and the career: ruled by Mars, which conjunct Mercury in its own sign will be somewhat overshadowed by the Mercurial; Mars in Gemini too gives an energy of ideas and a passion for communication, and in the 11th a dream or aspiration of writing.
  9. The closest aspect is always telling; in this case Sun sextile Midheaven at a mere minute from true partile. This blends the self-image of a writer (Sun in Gemini) with the Career path, Sun too rules the chart, so it is doubly powerful.
  10. And finally, consider Pluto, menacingly ensconced firmly in the heart of the 10th. This speaks to the ability to involve tragedy in the career and too it rather underlines some of the highly Plutonic and charged transformations that Hardy himself was required to undergo as a writer. His first wife died suddenly and he stopped writing novels altogether; both Jude and Tess were greeted with public outrage and denigration and the themes of death and inevitability were so fundamentally woven into his works that his style became synonymous with Pluto; Hardy was the master of tragedy.